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Communicators: When you learn more about the message behind a work after printing intuitive and do not differ from it?
Danqing: if it is a truly great work and outside too large, long I see a lot of images, suddenly and then watch as it was the first time I saw him, at the same time as the first time I saw Shihai better, of course, there is also a prerequisite before you want to see a lot of work from this artist, as well as his contemporaries, before and after the works of other artists will help you appreciate the work of this Reference artist.
Communicators: Western easel painting is no longer in the position of the edge?
ChenDanQing:
Communicators: When the Road New York early as this, but also realistic painting so interested?
ChenDanQing: First, I do not like rushing lively. When a set of values ​​to be recognized by society as a whole that normally would a little reverse psychology. If I was born in this day and age, it is assumed that after ninety years, that can not be oil painting, contemporary art, as so many people currently do not. So many people say solemnly, that is a target, I suspect. When I went to New York, where the situation is much more than this multi-hybrid hair not only see a lot of new art, I also see a lot of art very, very old, including the art of China, thousands of years ago. I had concerns art, like Europe and the Soviet Union since the 19th century until the 20th century is a bit limited, when New York, all out so you can view all open horizons, I am grateful for that process. This allows us to find our place and our limitations.
Communicators: hit the paint homes through a learning period, and my heart is particularly uncomfortable, I can not draw, and my heart does not feel comfortable, I feel more and more confused.
Communicators VI: Then do not draw! Chen You should try to bring a lot of people do not repaint.
ChenDanQing: Why?
Communicators VI: We can not.
ChenDanQing: I also can not, ah, the same.
Communicators VI: so many people to paint, this problem, as you soon to Tibet painted a lot of sketches, drafts, and finally finished the job, and then abroad.
ChenDanQing: How old are you?
Six Communicators: I 2082.
ChenDanQing: This year, three years old, why not?
Communicators six: a lot of people really do not want to waste time over this, because I was going alone, so I know that it alone especially special bitter. I estimate wage doing a lot of painting.
ChenDanQing: I am very encouraged these cases, what can be done with a lot of people kind of look down! Little crazy fewer moles.
Communicators VI: an exhibition that I have seen, I have found that it has completed the Tibet of paintings to the United States in the state of a loss, I would guess also recognized abroad?
ChenDanQing: not because I'm famous early if a child of four or five years old, no one knows, everyone ignored him, but he has to, it will be very painful. I have seen many of these people unappreciated, are unknown or have always denied, this is a very painful situation. And I was very lucky our generation, the Cultural Revolution, which is famous for very easy, are just an art magazine, as long as you are in this magazine, immediately people next day, everything I know. Not that the old experts have been affected, imagine? This ChenDanQing case, Yang Feiyun all "hit". I have left you, that drew the comparison a bit better soon became known, that time can not be copied. I do not know how many art magazines in the country now, even if you do the cover, and dozens cover, you see a good? I sympathize with the youth of today, I believe that an artist does not want to be recognized or want to become famous, not bad.
Questioner: We paint technology to further increase, the painting is more like painting some.
ChenDanQing: "Painting is more like painting sentence was right, not right. What is art like painting? I think when the painting does not quite look like the paint is specific to a range This range is more or less the entire 19th century Renaissance painted oil painting of the Chinese today in terms of the clauses are not too think the painting of that period. Yet Americans also suffer this problem, learning to paint again Europe, so there will be abstract art, abstract expressionism, minimalism, pop art, laying down standards of aesthetic opposition before, so I place more difficult to return to China, on the one hand, my own painting traditional realistic painting, on the other hand I do not want to see so many young people still paint my pictures, I have been saying that this is an electronic era
The painting is a way too old, young people should take advantage of this new medium to express our feelings and painted with the situation in China today to express also too slow and imprecise.

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Communicators: How about painting figures, plus the actual portrait painting of a single standard, which factors are most important?

Are you searching for oil paintings for sale or oil painting for sale?Especially looking for art paintings for sale?

ChenDanQing: I just saw the end of the Museum of Fine Arts Exhibition of students, and now look at the exhibition there will be plenty of people around, almost became a social event. Hard for me to tell you to see what the painting exhibition attracted me, if I had been a little better, when it is not, that is, he went abroad to visit the Museum of Fine Arts, which was the only one. I think a good paint that will hook past, I've been on a showroom floor to ceiling are painted the paintings of Vermeer, Velázquez painting, first entered the room orientation does not understand, in fact, that painting has its attention , something very strange, but the paint is in effect do not play a role. This is wonderful paintings next to "no". Like to see a group of people, the crowd inside the two faces you see first, is not particularly fast in his eyes, but he really characteristic. A person to see things when a large number of symbols recalled. For only exposure I'd say that in so many middle managers suddenly hook can make even the paint. But how can you do it, I do not know too many factors are. Also, the colors, techniques, is also the reason, but the main reason is unable to explain. Seen Mei Lanfang singing people say, as long as they could not carry out, it is good. The piece I sang a lot of people did not sing, worse than him, even beyond it, but to hear the old man said Xianqi around, what I say is this meaning.
Danqing: If you read the new edition of "New York Suo Ji", against the recent Canadian preamble says it is probably 2007 or 2006, I forget and I know how difficult, three children and his wife should be raised, and basically galleries bring benefits, but I know it still needs paint. I wrote this article in 1997, in 2006, was in the range of nine years already. We are in the subway, I immediately called "Chen", for nine years the voice was not heard knew, I knew immediately it was him, so I immediately embrace. "Chen, you are exactly where I was in New York no longer friends." Realism painting little classic, as it did in New York. American painters who were acting on their own, unlike many agencies, so they also stay in the area that I live for a good home. So we are in the metro, hand painting actually took, as it looked when I met a few meters away there let's call supported. Later, I read that Van Gogh is well, they call it a day in the field, repaint, Pissarro by that place, met him on the road immediately paintings leaning against the tree for him. Every instinct of the painter's this --- you take a look at my recent paintings, he is well. In China there is such a painter, in particular, has become a famous painter. I and his recovery, I went to his house to see him, his progress paintings, religious paintings still important for the church painted.

Communicators: there is a problem, the New York Suo Ji wrote a character named Orr, an oil painter, I particularly deep impression of the unconscious in bed I think of him, I wonder if you've seen it later? His subsequent fate of his paintings is what?

Their children grew up, I remember the last time in the United States to see his newborn son, now a 17 year old, a pretty girl, between the United States and the mystery of the child's hair shaved. The eldest son is a soldier ...... my little this year 47 years old, we know exactly three decades.
Communicators: You just said, see a good painting, and more is on the emotional level of judgment, will be directly attracted in the past. But theoretically speaking from my learning to make a more objective judgment, for a work of art, not just rely on the emotional level. I'll have to put it in the context of art history, to compare and make value judgments. Sorry, the two methods have a contradiction trial, how to coordinate?
Danqing: The first step in my approach is to rely on the senses, to see my paintings to attract even going to ask why I'm attracted to, but I have been attracted. The second step if there is a chance that you get to know the background of the work, for example, Van Gogh painting my teens we see today, to see it is still at the level of the sensory feeling wonderful, with a start to see when. What I have been long time to understand the process, to make a long story short, I hope you do not believe in art history books, and almost did not read the history of art, read a word we all remember. Books theory does not help me to be an artist, our country can not see the original, even the very limited original Chinese painting. This started after I went abroad, East see the look in the West, and then more and more slowly, he realized that the message behind a picture to understand. I keep reading, but not unconditionally believe the books.

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In a common sense,the oil painting reproductions can be divided into three catogeries:figure painting,landscape painting and silent painting.