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Communicators: When you learn more about the message behind a work after printing intuitive and do not differ from it?
Danqing: if it is a truly great work and outside too large, long I see a lot of images, suddenly and then watch as it was the first time I saw him, at the same time as the first time I saw Shihai better, of course, there is also a prerequisite before you want to see a lot of work from this artist, as well as his contemporaries, before and after the works of other artists will help you appreciate the work of this Reference artist.
Communicators: Western easel painting is no longer in the position of the edge?
ChenDanQing:
Communicators: When the Road New York early as this, but also realistic painting so interested?
ChenDanQing: First, I do not like rushing lively. When a set of values ​​to be recognized by society as a whole that normally would a little reverse psychology. If I was born in this day and age, it is assumed that after ninety years, that can not be oil painting, contemporary art, as so many people currently do not. So many people say solemnly, that is a target, I suspect. When I went to New York, where the situation is much more than this multi-hybrid hair not only see a lot of new art, I also see a lot of art very, very old, including the art of China, thousands of years ago. I had concerns art, like Europe and the Soviet Union since the 19th century until the 20th century is a bit limited, when New York, all out so you can view all open horizons, I am grateful for that process. This allows us to find our place and our limitations.
Communicators: hit the paint homes through a learning period, and my heart is particularly uncomfortable, I can not draw, and my heart does not feel comfortable, I feel more and more confused.
Communicators VI: Then do not draw! Chen You should try to bring a lot of people do not repaint.
ChenDanQing: Why?
Communicators VI: We can not.
ChenDanQing: I also can not, ah, the same.
Communicators VI: so many people to paint, this problem, as you soon to Tibet painted a lot of sketches, drafts, and finally finished the job, and then abroad.
ChenDanQing: How old are you?
Six Communicators: I 2082.
ChenDanQing: This year, three years old, why not?
Communicators six: a lot of people really do not want to waste time over this, because I was going alone, so I know that it alone especially special bitter. I estimate wage doing a lot of painting.
ChenDanQing: I am very encouraged these cases, what can be done with a lot of people kind of look down! Little crazy fewer moles.
Communicators VI: an exhibition that I have seen, I have found that it has completed the Tibet of paintings to the United States in the state of a loss, I would guess also recognized abroad?
ChenDanQing: not because I'm famous early if a child of four or five years old, no one knows, everyone ignored him, but he has to, it will be very painful. I have seen many of these people unappreciated, are unknown or have always denied, this is a very painful situation. And I was very lucky our generation, the Cultural Revolution, which is famous for very easy, are just an art magazine, as long as you are in this magazine, immediately people next day, everything I know. Not that the old experts have been affected, imagine? This ChenDanQing case, Yang Feiyun all "hit". I have left you, that drew the comparison a bit better soon became known, that time can not be copied. I do not know how many art magazines in the country now, even if you do the cover, and dozens cover, you see a good? I sympathize with the youth of today, I believe that an artist does not want to be recognized or want to become famous, not bad.
Questioner: We paint technology to further increase, the painting is more like painting some.
ChenDanQing: "Painting is more like painting sentence was right, not right. What is art like painting? I think when the painting does not quite look like the paint is specific to a range This range is more or less the entire 19th century Renaissance painted oil painting of the Chinese today in terms of the clauses are not too think the painting of that period. Yet Americans also suffer this problem, learning to paint again Europe, so there will be abstract art, abstract expressionism, minimalism, pop art, laying down standards of aesthetic opposition before, so I place more difficult to return to China, on the one hand, my own painting traditional realistic painting, on the other hand I do not want to see so many young people still paint my pictures, I have been saying that this is an electronic era
The painting is a way too old, young people should take advantage of this new medium to express our feelings and painted with the situation in China today to express also too slow and imprecise.

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Communicators: How about painting figures, plus the actual portrait painting of a single standard, which factors are most important?

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ChenDanQing: I just saw the end of the Museum of Fine Arts Exhibition of students, and now look at the exhibition there will be plenty of people around, almost became a social event. Hard for me to tell you to see what the painting exhibition attracted me, if I had been a little better, when it is not, that is, he went abroad to visit the Museum of Fine Arts, which was the only one. I think a good paint that will hook past, I've been on a showroom floor to ceiling are painted the paintings of Vermeer, Velázquez painting, first entered the room orientation does not understand, in fact, that painting has its attention , something very strange, but the paint is in effect do not play a role. This is wonderful paintings next to "no". Like to see a group of people, the crowd inside the two faces you see first, is not particularly fast in his eyes, but he really characteristic. A person to see things when a large number of symbols recalled. For only exposure I'd say that in so many middle managers suddenly hook can make even the paint. But how can you do it, I do not know too many factors are. Also, the colors, techniques, is also the reason, but the main reason is unable to explain. Seen Mei Lanfang singing people say, as long as they could not carry out, it is good. The piece I sang a lot of people did not sing, worse than him, even beyond it, but to hear the old man said Xianqi around, what I say is this meaning.
Danqing: If you read the new edition of "New York Suo Ji", against the recent Canadian preamble says it is probably 2007 or 2006, I forget and I know how difficult, three children and his wife should be raised, and basically galleries bring benefits, but I know it still needs paint. I wrote this article in 1997, in 2006, was in the range of nine years already. We are in the subway, I immediately called "Chen", for nine years the voice was not heard knew, I knew immediately it was him, so I immediately embrace. "Chen, you are exactly where I was in New York no longer friends." Realism painting little classic, as it did in New York. American painters who were acting on their own, unlike many agencies, so they also stay in the area that I live for a good home. So we are in the metro, hand painting actually took, as it looked when I met a few meters away there let's call supported. Later, I read that Van Gogh is well, they call it a day in the field, repaint, Pissarro by that place, met him on the road immediately paintings leaning against the tree for him. Every instinct of the painter's this --- you take a look at my recent paintings, he is well. In China there is such a painter, in particular, has become a famous painter. I and his recovery, I went to his house to see him, his progress paintings, religious paintings still important for the church painted.

Communicators: there is a problem, the New York Suo Ji wrote a character named Orr, an oil painter, I particularly deep impression of the unconscious in bed I think of him, I wonder if you've seen it later? His subsequent fate of his paintings is what?

Their children grew up, I remember the last time in the United States to see his newborn son, now a 17 year old, a pretty girl, between the United States and the mystery of the child's hair shaved. The eldest son is a soldier ...... my little this year 47 years old, we know exactly three decades.
Communicators: You just said, see a good painting, and more is on the emotional level of judgment, will be directly attracted in the past. But theoretically speaking from my learning to make a more objective judgment, for a work of art, not just rely on the emotional level. I'll have to put it in the context of art history, to compare and make value judgments. Sorry, the two methods have a contradiction trial, how to coordinate?
Danqing: The first step in my approach is to rely on the senses, to see my paintings to attract even going to ask why I'm attracted to, but I have been attracted. The second step if there is a chance that you get to know the background of the work, for example, Van Gogh painting my teens we see today, to see it is still at the level of the sensory feeling wonderful, with a start to see when. What I have been long time to understand the process, to make a long story short, I hope you do not believe in art history books, and almost did not read the history of art, read a word we all remember. Books theory does not help me to be an artist, our country can not see the original, even the very limited original Chinese painting. This started after I went abroad, East see the look in the West, and then more and more slowly, he realized that the message behind a picture to understand. I keep reading, but not unconditionally believe the books.

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Communicators: Chen Hello, I love your paintings, including early painting Tibet group, was born in 80 years, compared to all his works, more like his work on time, you can analyze your work evolving these initial feelings of job more full of it?
ChenDanQing: This should help me analyze the analysis. I am also looking for someone to help me look at the picture. The three of us immediately to go to exhibitions, media will have some brains to play, and we got a Wang Anyi, the same session, he and I, educated young age, writers. He liked to paint youth of the three of us, but the Han Xin was three, the most painful is that others say - previous works better than it is now. The conferences of thousands of people, and they will fight together, "You do not understand, drawing better than before," he said, "Painting is people looking good as they said, you have to let people basic rights. "results of Wang Anyi, said the painting above, gave the reason for this is the following: today the seventies when the educated youth that a relationship exists between you and the object is drawn, and you and to be made between objects The relationship is not the same. He also said that the evil is not the same, but he said you now and you are drawn between objects unique aesthetic feelings and sentiments. I think that speaks pretty. I see pictures of Picasso,'m still young when I paint, the more bitter, painting Montmartre became beggars, craftsmen, then not, one thing I agree with you.

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Communicators: Hello Chen variety of paints are now focused on the external form, focusing on the inner expression, such as a specific point, and some focus on the effect of abstract or figurative language of the screen, with some focusing on the inner spirit breath of the humanities, are graded on a scale?
ChenDanQing: You studied painting? The study of the theory of history? Your words are too theoretical, what kind of paint has external and internal components of what painting should consider how. The paintings from the 15th century to consider the form of painting in the 21st century must also consider how, not just a formality, it is best that you get a few, we all know that the painter as an example, which focus on the outside, focusing on the inside.
Communicators: First give an example intrinsic Master Chao Ge focus works great inside.
ChenDanQing: Yes, yes, by type, Chao Ge and tell me a major category is the figurative realism.
Communicators: Example external house paint is Sun Gang works of masters. His focus on the form, composition and operation. Do you think it is scored on a scale?
ChenDanQing: gradations in China have already been made, for example, a painter, two painters, a director, two principal. Wages, the house is not the same, and some even with the driver. However, we all know that this is very ridiculous. Of course, from the art, I think it may be qualified. Just to give an example of two landscape painters and works Chao Ge course, be used to describe, but I found I could say very poetic, his painting is very deep. I'm not a two-faced, I was ten surface to send, what kind of picture I like painting very superficial and very nice I like very simple interior painting I like, I'm all day in the pool, but the paint better be able to attract me.

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Exposure of the three of us, I think of many things of the past, our generation learned painting actually is not that complicated, I have become my son "look up", while some "disgusting". However, we see a child Yan Wenliang, the Liu Haisu less afraid of them, because they are shot down. Not the case today, the Head painting experience of a young man like painting, or Dean surely going to shake, because the inside of his "life" in his hands, an elder may determine the fate of the younger generation, which is I do not want to stay in school inside one of the reasons. I realized that becoming a right, but not the executive, I can hurt a lot of people. So Benji told me to come here and I think I had seen the face of a gang or classmates not seen ......
I think everyone can see what I mean, I mean painting, art matters, I was in pretty clumsy on their own also writes about art speaks evil is not good, I can adjust this relationship. This topic spread "tweets", people asked: Why do we have to do sculpture? Why should we sing? Why do we want to make a movie? ...... This is a topic of endless asked to go, I have never seen before item, contact artist in the United States usually becomes the simplest starting point - why you want to draw this painting? What do you want to express? They also sell paintings, some institutions and the situation in China is very different in the United States. They can not leave the most realistic Shangqie can maintain state.
Initially, I received this question when asked down, before I was not thinking about why oil painting, the final answer is that I like. Ok, do you like what way? I like things in the 18th and 19th centuries, and later to the United States is obsolete, when the United States has a post-modern, I met a dislocation of the situation of art in our country and the West, and wait until the new century back to China, and China IDPs. Contemporary art in China, in the West see the kind we all have: the behavior, devices, electronic, etc. A huge power structure, economic structure, the academic structure you find in this painting, he wants to talk to convince people feel interesting it becomes very difficult. Then I would put them in dialogue and two hours too low.

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The appearance of the auction decade, painting becomes more ambiguous term. It is not only the right to represent the interests of the incommensurable. As we all know, from the nineties auction as Chen Yifei works to convey a very strong signal - "painting is worth a lot of money" for the oil industry. The new century, especially from 2005-2006, things happen beyond our imagination also includes Chinese painting, oil painting, millions, tens of millions, tens of millions ... nobody is prepared this thing happen, the auction also learn from the West, the United Kingdom Sotheby 's, Christie has two hundred and sixty-year history, the auction houses in the United States more than 100 years of history, and that Q have not read the Chinese oil painting how you will sell so expensive! Also that year after my resignation caused an issue is an inscription. Later, also some very thoughtful, because the population base and the university system so that many people can not admitted to the university who wanted to test, the painting becomes a shortcut to get the Academy of Fine Arts.

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He produced a large number of industrial chain: Textbook of sketches, drawings kinds of examinations, examination gouache painting classes ....... teaching painting begin to swell, in which schools have a good few hundred students to learn oil painting, although the relationship is not in the design students, but even more of our time more than ten times, this is the estimate more conservative. I do not know the presence of the number of people across the Central Academy of Fine Arts along the greatest place I've ever seen like here in this way, all these years I've been in university lectures, compared to this place today regarded as one of the little wide, in the United States have so many people listening to the speech of a person, that person faints, a teacher or a famous painter, with twenty or thirty thing people talk speech very happy you want to remember the year, with hundreds of People, China, with hundreds of thousands of speech is a basic thing. This is population growth, China's population increased oil painting painting student population also increased. All this is about the rights of the administrative division of the Association of each painting, oil painting, it is China's unique concept of rights, and the influx of hot concept money auction house value and a registration fee, let the paint thing expanding a disaster! Chinese students painting bother to ask why we have so many people to learn traditional Chinese painting in unlikely place to hear? '

A very specific problem that is learned in the paint, oil paint as has been said previously flooded. I recently exposures with two teen-age friends, a man named Lin Xudong, a man named Han Xin, the three of us recognize four decades, including a Han Xin to settle in the United States twenty years in China have never had exposure, invitation of the two exhibitions together, and we agreed to work. The first painting exhibition that Yuanban, then other provinces, only now do Jiangxi exposure, because me and a friend and then jump the queue in Jiangxi. A little later this month to Shanghai exhibition, the three of us are invited to the North, South, some conferences sometimes young students see the three of us are a little surprised at first, the three men four decades, not fighting out or alienated;, three people get together to talk about painting a gas field. Like oil painting in the seventies, three children, and today we would like that had never been seen, like talking about paint, but now the information is more, we all went to Europe to see museums that painting . But even as they fight for forty years together "for the part of the paint color." I remember forty years ago in Shanghai, Beijing and the provincial capital of oil paintings of young people when they talk about painting very specific, that is, the screen is very simple, with a utilitarian purpose. No painting includes such it can enter an institution or to sell at a price in the future, or to become a good model for teaching. The fact that three of us are still single, Lin Xudong professor resigned Broadcasting Institute, Tsinghua quit there, Han Xin had never been what institutions of twenty, he went abroad. We have a natural capacity almost without conversion, as well as forty years ago, during the Cultural Revolution as talk about painting. However, we found a phenomenon may be painting houses would be much better, come to the education of students, whether young or old madness and actions also particularly want to talk about painting, talking a little reflection on the subject. I in either formal or contemporary or me, after 60 levels, nobody is willing to talk to me about painting. I also think that people can talk about the painting, I mean the painting is a very brief but paint. We do not talk, I can not remember when we were talking about! The loudest sound a discussion about the painting, but also much too. They look at each of the album, and countless artists and magazines, including numerous articles in school today are required if you are engaged in professional painting have to write papers. This is a very horrible thing, painting has become so complex, and I do not think so. I can be very arbitrary to say that I see an article talking about painting, I will make a good impression. Today very hypocritical academic painting, tedious, become an astronomical figure "in the economy, so that in the end I will be the rebellious mood, the problems are so complex that we wonder why oil painting? Response is like ... I thought you will give me an answer, but the answer like you can not escape the "Like" behind all the problems more easily -.? you trust trust no oil painting for dinner naked, perhaps associate professor, doctoral ...... thought maybe as the "rice bowl", and like you "is a contradiction between, and sometimes I have no higher status and those found, including youth, maybe I could try in college or university did not care for them, no one can afford it, and we are now fully in the world are young, homeless, but we have to see how people group success "throughout the day to attend a number of occasions, to sell a wide range of prices, say several theories, very dazed when facing the world at the same time, wants to be a" success. "This is a bare the Actually we all know, so often floating in a very strong and specific reality.

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ChenDanQing: Oh, serious painting houses in April followed by teachers and students to Shanxi portraits, in early May, and now almost a year, my paintings how to paint. I did, in fact, still do not know what to say, because the theme of this painting is dog feces all painting comes to painting, I remember the scale painting, nearly three decades starting today, to the 85-year-old paintings of Huangshan meeting . I was in New York, on the one hand, I am glad to, on the one hand, suitable for: pleased when, after the eighties, this picture has actually become a very important issue, Huangshan go to a meeting, it is inappropriate has come to New York, New York does not have this problem, paint, paint. No one cares about you is watercolor, oil painting, sculpture.

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A misplaced art environment in Western Europe and the United States together make up a very, very national conditions, China's national theme - painting. The painting is so important, I can not. As early as in 2000, including the increasingly surprised subsequent decade, it has become the implementing agency of a group of oil painting in China, almost became the official name synonymous with strength! I first heard about China Oil Painting Society, of course, know that China Guohong, in this country, and I appreciate this type of painting emphasized, in order to distinguish between Chinese painting. Chinese painting, the word is very strange, never the so-called Chinese traditional paintings of Chinese painting Qing, and even called ink painting, 1911 China's transformation into a modern country only Chinese painting, Chinese culture, including, the country's doctors, martial arts, Chinese Mandarin ... the same thing happened in Europe. Called not called prior to European countries, Germany, Italy .......

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Today, we know that most European countries do not have the name now, France and Britain to establish the modern Republic, the world began tracking this be another problem.  Oil paintings sale ,we provide the excellent Oil paintings.France and Italy, I would not say that the painting "Riverside Scene at Qingming Festival", it's just a painting, France, and other types of paint in front we know, this picture does not appear in the painting temperature is really cool. 14th century, 13th century and throughout the 15th century, the most important type of paint repainted again, now we know that this painting is closely until the tin tube packaging pigment can be squeezed out of something even the late 19th century, 18th century thing. In the painting is a bubble in China, the paint is completely tool-free concept. The oil painting reproduction involved in religious themes are taking the persons as description objects.Chinese painting, how to become so large, covering aesthetics, including technology, covering the type of paint covers the concept of creation, and ultimately become the correct name.

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